Series I, Correspondence, 1945-1968, bulking 1963-1968, including letters from Charles Olson, Lawrence Ferlinghetti, W.S.Merwin, Witter Bynner, Louis Zukofsky, Henry Rago, Fred Eckman, others and correspondence among Creeley, Walter Hamady and Henry Wenning on publication of The Charm, Words, For Joel, letters from Creeley to Dudley Wynn, University of New Mexico, others, c. 200 items;
Series 2, Literary manuscripts, inc. those of The Charm, Divisions & other early poems, Eight [single title poem], The Finger, For Joel, For Love, The Island [printer's typescript, see Creeley I] Pieces [Black Sparrow and Scribner's editions] Seven [single title poem] Words [Scribner's and Rob Run editions]; series 2/1, material by other writers, inc. Robert Duncan's A Dancing Concerning a Form of Women [poem] David Galler's Jennings, Justice, Berryman, Creeley [review] Walter Hamady's Plumfoot poems [proof] Charles Olson's review of For Love, William Packard's and Burton' Robie's reviews of For Love, exerpt from Kenneth Rexroth's Assays, essay by Fred Wah titled Linguistic structures in the poetry of Robert Creeley.
Series 3, Essays, articles and reviews by Creeley, including transcription of 1963 Vancouver Conference panel, account of panel with John Cage, Merce Cunningham, others, essays on the experience of writing poetry.
Series 4, Journals and diaries, notebook 1966, given Creeley by Allen Ginsberg, containing drafts of poems later published in Pieces, diary entries; notebook 1968, containing drafts of poems for Pieces.
Series 5, Editorial matter emanating from The Charm, For Joel, For love, New American poetry, Pieces [Scribner's] Selected writings of Charles Olson, Words [Rob Run and Scribner's]
Series 6, Clippings, miscellany, including German language radio scripts concerning Creeley, announcements of readings, conferences, publishers' announcements, clippings concerning Creeley.